Thursday, May 11, 2006

Them!

The undercurrent of news about radiation’s effects continued throughout the 1950s, as the U.S. and Soviet Union exploded hundreds of atomic bombs, including hydrogen bombs (which some say are to atom bombs what atom bombs are to conventional explosives.) Testing and its effects became a campaign issue in the 1956 presidential election. Strontium 90, a radioactive isotope that lodges in bones and causes cancer, was discovered in cow’s milk across America. Still, the official word was there was nothing to worry about.

The likelihood (since proven) that U.S. nuclear secrets were passed to the Russians, added fuel to what became McCarthyism in the 1950s. Now dissent concerning the Bomb could be criminal treason as well as unpatriotic. So much of the fear Americans had about nuclear radiation and the Bomb itself was driven underground, into the collective unconscious, and to the popular expression of that unconscious: the movies.

Monsters created or unleashed by nuclear explosions became the decade’s B-movie clichĂ©. But one of the first remained one of the best: “Them!” released in 1954. The film is fascinating today partly because several relatively unknown actors became stars, mostly in the new medium of television: James Arness in “Gunsmoke,” James Whitmore in “The Law and Mr. Jones,” Leonard Nimoy (with a very small part) in “Star Trek,” and Fess Parker, a young actor Walt Disney saw in this movie and cast as Davy Crockett, the first TV hero to be a national phenomenon.

But the fact that these actors were unknowns in 1954 led credibility to the story, which was mostly a step by step investigation into a horrific phenomenon---radiation from atomic testing mutated a colony of ordinary ants into a race of giant ants, killing, breeding and preparing to swarm on Los Angeles and other cities, where they could begin their conquest of humanity.

The movie dealt with a number of themes related to the Cold War and the Bomb, but it was remarkably forthright about the source of the fears it symbolized. "If these monsters got started as a result of the first atomic bomb tests in 1945, what about all the others that have been exploded since then?" asks James Arness, the FBI man of action. "I don't know," says the beautiful woman scientist. "Nobody knows," says her father, the elder scientist. "When man entered the atomic age, he opened the door into a new world. What we eventually find in that new world nobody can predict."

There would be many more Bomb-themed films (including the original Japanese version of Godzilla, which dealt more forthrightly with Bomb themes than the version Americans saw. The original will be available on DVD for the first time in September.) In his book, Apocalypse Movies, Kim Newman makes the valuable point that the B movie divisions of major studios tended to glorify the military in their Bomb-theme movies, while independent films were more questioning, and revealed more of the real horror. They also tended to extend mutations to human beings, as in “The Incredible Shrinking Man.”

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